Columns
- Igokutamaru-Mataigoku
- Mikankaku
- Kinan Art Residence
- Sensing Mandarin Oranges Exhib.
- Orange Mandala Exhib.
- Commons Farm
- KAW Exhib. 2021
- Dialogues with Kinan Locals
- Director's Column
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Dialogue: On the Historical Context of HIROSE Satoshi’s “Common Farms”(Part 2）
Part 1 >>Sumitomo: The story of Arte Abitabile reminds me of one of Hirose’s projects, which was similar to the Common Farms idea. It was conducted in Sapporo in 1996, after the bursting of the bubble economy, and was entitled “Lived
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Dialogue: On the Historical Context of HIROSE Satoshi’s “Common Farms”(Part 1）
Dialogue: On the Historical Context of HIROSE Satoshi’s “Common Farms”Sumitomo: In this column, Kanai Tadashi and I, Sumitomo Fumihiko, will discuss what artist Hirose Satoshi attempted to exhibit during Kinan Art Week 2022. This discussion
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Special Talk Session “Memories of Soil and Roots”: From Cambodia and Kinan/Kumano
Date and Time: Friday, October 7, 2022 from 6:00 p.m.Venue: Aiwaso 28-14 Furuo, Tanabe City, Wakayama PrefectureAdmission: FreeCapacity: 20 personsGuest Speaker: Khvay Samnang, Cambodian contemporary artist, Toshiaki Ishikura, Art Anthropol
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“Orange Mandala” Exhibition as Preparation for a Post-Growth Period
Kazuhiko OtaAssociate Professor, Nanzan University(1) On How to Consider Eating “Oranges” in a Post-Growth PeriodThe United Nations reported that the world population surpassed 8 billion in mid-November 2022; it is expected to reach around
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The Brilliance of the Citrus Fruit of the Alternate Dimension
On the Idea of a Mandala that Transcends Monolinear/Single-layer Space-timeTaisuke KarasawaAssociate Professor, Akita University of Art1. 非時香菓 -Tokijiku-no-Kagunokonomi -The origin of the Japanese citrus fruits with which we Japanese are fa
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Mikan Dialogue Vol.5 『Orange Mythology: Let’s Know the Gods of Kinan”』Text Archive (Part 2)
This is the part 2 of the text archive for the talk session “Mikan Dialogue vol.5 ” held on Oct. 22, 2022.Part 1 >>Table of Contents2.[Panel Discussion] Discovering the Gods of Kinan(1) Introduction of Mr Hara and Ms Sakamoto(2) Mika
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Mikan Dialogue Vol.5 『Orange Mythology: Let’s Know the Gods of Kinan”』Text Archive (Part 1)
This is the part 1 of the text archive for the talk session “Mikan Dialogue vol.5 ” held on Oct. 22, 2022.https://www.youtube.com/watch?v=GhlpU10rDfIDate and time: 9 October 2022 (Sun), 15:00-17:00.Venue: Seminar room, 2nd floor, Tanabe En+
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Art Anthropology of Oranges and Humans (Part 3)
-After the “Mikan Mandala” Exhibition-Part 2 >>(3) Symbiosis with Fungi / Mycorrhizal NetworkLocated near the Minakata Kumagusu Archives, the old folk house atelier called “Mojike House” is operated by artists Naoko Kimura and Shiro K
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Art Anthropology of Oranges and Humans (Part 2)
-After the “Mikan Mandala” Exhibition-Part 1 >>2. Beyond the Boundary Between Oranges and Humans(1) Harvest / A Journey of FruitsPart of our latest exhibition took place at Yui Warehouse, which is adjacent to the Akitsuzuno Farmer's M
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An Art Anthropology of Oranges and Humans – After the ‘Orange Mandalas’ Exhibition (Part 1)
1. Is it Possible for Oranges to Transcend Fundamental Principles?"Growing oranges is fun. However, sometimes it can be frustrating going to the market when prices are unfair.”local orange farmerEntering an orange farm in Tanabe, Wakayama P
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Examining the World Through the “Sanji Paper” ~Message Delivered from Ryujin Village~
GuestsMakoto Okuno, Artist & Kayo Okuno, ArtistIn 1984, Mr and Mrs Okuno moved to Ryujin Village, Hidaka-gun, Wakayama Prefecture (now Ryujin Village, Tanabe City), where they were involved in running the Ryujin VillageInternational Art
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The Sea Is Where Fishermen Live -The Shirahama Fishery That We Want to Leave to the Next Generation –
Kinan Art Week Dialogue #41Our guest this timeToshio Misu, FishermanBorn in Setokanayama village (now Shirahama town), Nishimuro county, Wakayama prefecture. After the war, he started working as an abalone harvester and fixed-net fisherman