KINAN ART WEEK 2021
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  • Jul. 01, 2022

    ​​Report on the Venice Biennale 2022 and Documenta Fifteen for the Orange/Mikan Collective (Part 1)

  • Jun. 29, 2022

    Mikan Dialogue vol.2 ‘Is Art, Mikan? Are Mikan,Art? -Through the Thoughts of Amatuchi Kosaku and Kanae Yamamoto.

  • Jun. 14, 2022

    Dialogue#40 As the ‘Port of Kinan’

  • Jun. 13, 2022

    Mikan Dialogue vol.1 Text Archive (Part 1)

  • Jun. 13, 2022

    Mikan Dialogue vol.1 Text Archive (Part 2)

  • May. 23, 2022

    The Myth of the Orange

  • May. 22, 2022

    Mikan Collective Beta VR Special Exhibition

  • May. 12, 2022

    Kumano and Zomia: thorough Apichatpong Weerasethakul’s Artistic Expression

  • May. 07, 2022

    Apichatpong and Kumano at Tanami Theatre

  • May. 07, 2022

    Dialogue#39 Stories of a connected world- Being able to see from the barge door-

  • Apr. 26, 2022

    Is art a mandarin orange? Is mandarin orange an art? -Through the ideas of cultivating heaven and earth and Kanae Yamamoto-

  • Apr. 23, 2022

    The future is coloured by pine smoke ink -Current situation and challenges in the ink industry –

  • Apr. 14, 2022

    What flows in Nanki Shirahama

  • Apr. 13, 2022

    Orange ‘Democracy’ – What is Collectivism? –

  • Apr. 05, 2022

    Dialogue #37 Aiming to Maintain the Fishery 

  • Mar. 31, 2022

    < I > opportunity

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