Columns
- Sensing Mandarin Oranges
- Kinan Art Residence
- Orange Mandala Exhibition
- Commons Farm
- KAW Exhibition 2021
- Dialogues with Kinan Locals
- Director's Column
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Dialogue project #8 “Kumano and Art – Kumano Kodo and Nanki-Kumano Geopark -“
Kinan Art Week Dialogue project #8Guest :Wakayama World Heritage Master (Kumano),Member of Nanki-Kumano Geopark Guide Group,Nature Park Instructor (Ministry of the Environment, Wakayama Prefecture),Member of the Cultural Heritage Protection
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Dialogue project #7 “It’s what the cycle of 400 created”
Kinan Art Week Dialogue project #7Guest :Town Campus Project, Project LeaderAkira UenoHis aim is to make people proud of the environment in which they grew up. He is committed to create an environment where children can learn about the best
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Dialogue project #6 “What is the ideal relationship between animals and humans?”
Kinan Art Week Dialogue project #6Guest :Deputy Director of AWS Ours/Adventure World Inc.Director (SDGs)Takeko NakaoTakeko joined Adventure World as a veterinarian in 1988. Initially she was in charge of small animal care, and was also invo
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Special contribution#1 “Seclusion, that is, Openness” -Kumagusu sees the ‘macrocosm’ in the microscopic world-
A special contribution from Taisuke Karasawa, a philosophical / cultural anthropologist, who will be on stage at the online talk session "Kinan Chemistry Session vol.2" held on May 28th. "To find the primordial impulse of life or the breath
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Dialogue project #5 “The origin of plum production in Kinan”
Kinan Art Week Dialogue project #5Guest :Chairman of Azuma Farm CorporationYoshihiko HigashiStarting out as a Japanese plum (ume) farmer, he established the brand ‘Godaian’, a Kishu ume specialty shop. Since then, he has made it his lifelon
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Dialogue project #4 “What is the tea culture of Kinan?”
Kinan Art Week Dialogue project #4Guest :President of Morikawa CorporationNaomi MorikawaThe third generation president of Morikawa Corporation, which was founded in 1927 and has been in business for almost 100 years.He is committed to whole
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Dialogue project #3 “Growing Mikan” – Mikan and Aesthetics –
Kinan Art Week Dialogue project #3Guest:Representative of Matsusaka FarmShinya MatsusakaThree generations of the same family have been growing mikans (mandarin oranges) in Aridagawa-town for 50 years, since his grandfather's generation.Arid
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Dialogue project #2 “Are plums spice!?” – Kinan and the history of the plum trade –
Kinan Art Week Dialogue project #2Guest:Soichiro YamamotoHe is the third generation of plum farmers in Kiyokawa, Minabe-cho, who have been farming for 80 years.The idea is not only to protect the plum growing area, but also to explore new p
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Why “Kinan Art Week”?
About 15 years ago I left my hometown, Nanki-Shirahama to start my own business in Cambodia. Today, I have law firms all over the world, and have supported many companies in various locations, sometimes with joy, and other times with pain.
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Dialogue project #1 “Are ‘mikans’ art?”
Kinan Art Week Dialogue Project #1Guest:Mr. Shintaro Inoue,7th generation owner of Zenbee FarmMr. Inoue is a farmer of Tamura Mikan(orange) in Arita, Kishu, Wakayama. He is the seventh generation of Zenbee Farm, which has been in business f